Razor blade wildflowers
Wrapped around my head
In sanguine spread
Have bled the sordid truth
That has gone unsaid
Eloquence is dead
These blackened limestone stairs
Have reminded me
Of the Kiss of Brancusi
I saw the dullest red
Drip down my head
Eloquence is dead
- Mysteriousness: Outer Space (2003-03 Rough Mix) [6:26]
- Voder (2003-03 Rough Mix) [5:19]
- Wily’s Castle (2003-04-26 Rough Mix) [4:29]
- Mysteriousness: Outer Space (2003-04-26 Rough Mix) [6:26]
- Voder (2003-04-26 Rough Mix) [5:21]
- Eloquence Is Dead (2003-04-26 Rough Mix) [13:03]
- Wily’s Castle (2003-06-21 Rough Mix) [4:29]
- Mysteriousness: Outer Space (2003-06-21 Rough Mix) [6:15]
- Voder (2003-06-21 Rough Mix) [5:09]
- Wily’s Castle [4:30]
- Mysteriousness: Outer Space [6:14]
- Voder [5:07]
- Eloquence Is Dead [12:51]
- Wily’s Castle [4:29]
- Mysteriousness: Outer Space [6:12]
- Voder [5:07]
- Eloquence Is Dead [12:49] (lyrics)
Buy The CD:
Review of In The Year 20XX, originally published on leftoffthedial.com. Written by Alex Baia.
Every once in a while, LOTD sends me an album that comes seemingly from out of nowhere by a band that is both weird and wonderful. Well, todays my lucky day, because Chromelodeon is the newest weird and wonderful band that you and I have never heard of until just now.
They self-describe as an 8-piece epic rock group fromPhiladelphia. Theyre epic alright; a mixture of, among other things, King Crimson, Pink Floyd, Mr. Bungle, and old-school Nintendo music. I make those comparisons only as attempts at reference points. Chromelodeon actually sounds nothing like any of those bands individually. Rather, their album sounds like the soundtrack to an epic battle of superheroes and robots. It exudes triumph and sadness, exhilaration and defeat. It is lyrical and romantic without ever using words. The album name, In the Year 20XX, seems to stand for anything and everything futuristic. A story is being told here, but which one?
The epic feel of the album is accomplished not merely through a diverse range of instruments but also through a diverse usage of the instruments. Staccato drum marches, shimmering guitar atmospherics, and walls of radiant synths create a feeling that ranges from melodic and dreamy to pounding and jagged. The synths mimic violins, accordions, droning machines, and the wails of ghostly robots.
The album clocks in at just less than 30 minutes. I could talk about the individual tracks, but that doesnt seem necessary, and it might even be counterproductive. The album feels like a continuous composition. It may not have been a concept album by intention, but even so, the execution tells a story. Melodic and rhythmic themes from the beginning of the album are revisited near the end. Instrumentally, the members of Chromelodeon are talented and able. Despite the fine individual performances, there is no showing off here. The instruments sound unified; everything contributes to the whole.
In the Year 20XX is an album that, whether they like or not, will make all listeners grin and take note. Not everyone likes theatrical, instrumental rock music. For those that do, this album is golden. Few bands are unique. Chromelodeon is one of the few.
Originally published on www.abinka.org in November 2003. Written by Megan Curran.
Notes From the Underground
Or how I learned to stop worrying and love the keytar.
In keeping with the keyboard theme, the Chromelodeon CD blew my mind. Chromelodeon is one of the quintessential bands of the rising subgenre of Nintendocore. Sixteen-bit melodies are fleshed out into an eight-member band that is really doing something different in the local scene. I will definitely be checking these guys out live soon. I also suggest hitting up Scooters on November 28, where Ryan from Chromelodeon will be spinning 80s and other electropop while the indie kids skate in circles. Sounds super fun.